I arrived in Montreal in early May, the morning after a general election. A decade of Sound. The Edinburgh 70 archive series begins on August 8 at 1pm on BBC. Available now. 'Wonderful . “Something from your country,” she instructed, so there I found myself: in the tiny bedroom of this 93-year-old Ethiopian composer-pianist-nun. . “They take an idea and they go places with it. 2019 by Kate Molleson. Revamping a cult masterpiece is a dangerous business, and Bright Phoebus — the 1972 album by Mike and Lal Waterson — really is a masterpiece. Ensemble musikFabrik Usher Hall, Edinburgh. The New Zealander Annea Lockwood is just one of the world’s radical musicians unjustly mocked by hidebound snobs, says Kate Molleson From magazine issue: 06 August 2022 4. Terrible. I’m no great singer, but Emahoy Tsegué-Maryam Guèbrou only really trusted me after I had sung to her. The Berlin Philharmonic came to Glasgow, twice, for the first time since the 1950s. First published in the Guardian on 30 March, 2017. August 18, 2022 11:37pm Kate Molleson presents classical music on BBC Radio 3 Kate Molleson/Twitter Quotas should be introduced to broaden the range of. She presents BBC Radio 3's New Music Show and Music Matters, and her articles are published in the Guardian, The Herald, BBC Music Magazine, Opera, Gramophone and elsewhere. Kate Molleson continues her summer series celebrating the talents of the current BBC Radio 3 New. She presents BBC Radio 3's New Music Show and Music Matters, and her articles are published in the Guardian, The Herald, BBC Music Magazine, Opera, Gramophone and elsewhere. At age 6, Sister Guèbrou was sent to a boarding school in. Kate Molleson is joined by South African cellist, singer and composer Abel Selaocoe with his cello in tow, as he prepares to tour this autumn with The Bantu Ensemble. The entire classical music programme of the 2016 Edinburgh International Festival — 41 concerts, three operas — contains works by just eight living composers (that includes re. By genre: Music > Classical. Presented by Kate Molleson. She presents BBC Radio 3's New Music Show and Music Matters, and her articles are published in the Guardian, The Herald, BBC Music Magazine, Opera, Gramophone and elsewhere. 'Wonderful . ”. Kate Molleson Tue 10 Sep 2013 14. KATE MOLLESON is a journalist and broadcaster and one of the UK’s leading commentators on contemporary classical music. ”. First published in the Guardian on 8 July, 2014. 76 ratings10 reviews. Imagine the most severe voices in folk music pitched against lush, boozy, crushingly tender instrumentals. ”. Be ready to look up a lot of very interesting recordings. Listen now. 3/5 - Summer Series - Anastasia Kobekina, Alessandro Fisher, Alexander Gadjiev, Rob Luft. The minute your confidence goes, everything else starts to fall apart too. Kate Molleson. Similar programmes. Kate Molleson. The 46-year-old American made his concerto debut with the Philadelphia Orchestra at the age of 14 and has been a fixture in the international spotlight ever since. 50 avg rating, 10 ratin. Later we get Tender Second Version — just 47 seconds this time, but now with more tremble and more pain. . 3, Sz. Robin Ticciati conducts. 31 EDT Last modified on Tue 18 Apr 2017 11. First published on the Guardian on 29 August, 2013. She was a classical music critic for the Guardian for seven years and deputy editor of Opera magazine. Kate Molleson is joined by South African cellist, singer and composer Abel Selaocoe with his cello in tow, as he prepares to tour this autumn with The Bantu Ensemble. Onwards to his next band, the London Symphony Orchestra, who come to EIF for two nights. Kate Molleson talks to American Jazz pianist Brad Mehldau and reflects on 20 years of the period-instrument ensemble Les Siècles with conductor François. Whoever takes on the job could perform one essential service within minutes of taking office, and get rid of Northern Drift , the witless entertainment. Kate Molleson tells. True, the Australian saxophonist makes chart-topping albums of film music and low-lit love ballads. Kate Molleson presents a live edition of Music Matters from. A writer for The. She presents BBC Radio 3’s New Music Show and Music Matters. £10. 20 EDT. 2018 by Kate Molleson. Kate Molleson. Kate Molleson meets Finnish composer Kaija Saariaho in Paris - the city she has made her home since 1982. Somehow he’s always been a more rounded, more grounded kind of touring virtuoso than many, though. She presents BBC Radio 3’s New Music Show and Music Matters , and her articles have been published in the Guardian , New Statesman , Prospect , The Herald , BBC Music Magazine and elsewhere. He wants to launch orchestral music for the digital age, and sees an incorporation of electronic sounds, samples, field recordings and techno-inspired drum beats as a natural evolution, “like valves in brass instruments once were. 49 EDT. This entry was posted in Features on May 6, 2015 by Kate Molleson. “It’s hard to believe,” says the 66-year-old violinist, cheerfully slapping the coffee table as if to confirm that yep, all of this is real. Kate Molleson visits Greenland, the world’s largest island, to explore the role of traditional and new music for its communities today. Tom Service has presented Music Matters on Radio 3 since 2003. 4:49 PM · Apr 22, 2023. A radical new book by journalist, critic and BBC Radio 3 broadcaster Kate Molleson, which fundamentally changes the way we think about. Kate Molleson. At an hour when Radio 3 stalwarts were spreading marmalade on their toast and filling in the first line of the crossword, she was togged up as if for an all-nighter at Wigan Casino. The Bad Plus, Carter, Mahler. Classical music flourished, and yet when we reflect on the genre’s history its central figures seem to share. Buda Musique. Faber, 2022, 314 pp. F olk-music politics is a funny business. Haydn mucks about with phrase lengths, harmonies and hierarchies. That the inaugural event is literally a piss-up in a brewery sets the. 45pm. First published in The Herald on 25 February, 2015. 49 EDT. Journalist and BBC Radio 3 broadcaster Kate Molleson discusses her award-winning Sound Within Sound (Faber, 2022) – “a radical new book which fundamentally changes the way we think about classical music and the. I got to 30 without really considering whether my music-making might have a wider usefulness. The songs have a gnarled lyricism, a. Show more. This is the impassioned and exhilarating story of the composers who dared to challenge the conventional world of. Reviewed in short: New books from Jonathan Freedland, Kate Molleson, Linda Villarosa and Benjamin Wood. ‘She raced a horse and trap around the city’. First published in The Herald on 23 August, 2017. She began studying the sitar with her father at the age of seven; in terms of musical lineage, it doesn’t get much more direct. 55pm, The Times. T here are some juicy anomalies at the heart of Tectonics, the festival of new music curated by Ilan Volkov and Alasdair Campbell and hosted by the BBC. Proms 2018: what to see But there are always compensations. Mainly she is telling me in animated detail about the psychodynamics of Don Giovanni’s relationship with Donna Elvira, but she. Post navigationThis is music from another age, and it only speaks to us if we can let go of our self-consciousness. The complete set was recorded live at the Wigmore Hall four years ago and. 2016 by Kate Molleson. Schedule. In this increasingly fragmentary age, this pooling of embassies sends a strong message of political coordination, similar to the message of cultural cooperation incorporated in the Nordic Music Days. Understandable as English National Opera’s need is to cut costs, to cancel their first project outside London in 15 years is the wrong way to save money. He died in 2006 at the. The first composer chosen, on 2 August 1943, was Mozart, followed over the following four weeks by Beethoven, Schubert, Bach and Haydn. 99. Think jazz, electronic music, improvisational music, folk,. Sara presents The Choir, live concerts, and also appears on Music Matters and Hear. May 16, 2023 | News | 5 comments. Find Charles Molleson's 🔍 contact information, 📞 phone numbers, 🏠 home addresses, age, background check, white pages, photos and videos, social media profiles, arrest records, resumes and CV, public records, related names, places of employment, work history and memorialsComposer of the Week is to be shared between the Venerable Donald Macleod, approaching 65, and Kate Molleson (age unverifiable - see, we can all do transparency). . Proms 2018: what to see But there are always compensations. ” That’s how festival director Fiona Robertson sums up the difference between Sound and other contemporary music festivals. Show more. With celebrations of his music at the Proms and Edinburgh within the space of a few weeks, Frank Zappa is looking suspiciously establishment. Elizabeth Alker is the host of Unclassified and presents weekend editions of Breakfast. August 18, 2022 11:37pm. Personally, I struggled with naming composers who fit into these categories, such has been my own experience of the lack of media and educational bandwidth afforded those of more diverse backgrounds, who have otherwise. She presents BBC Radio 3’s New Music Show and Music Matters. Classical music flourished, and yet when we reflect on the genre’s history its central figures seem to. Latest articles. Trapped in History: Kenya, Mau Mau and Me. From 2010-2017 she was a music. M atched in musical-myth-mania perhaps only by Richard Wagner,. An alternative history of 20th-century composers—nearly all of them women or composers of color—by a leading international music critic Think of a composer right now. I f you don’t know the deft and gossamer music of Bryn Harrison, this album would be a beautiful place to start. First published in The Herald on 5 February, 2014. One soul who will not hear the bugle’s call is Elizabeth Alker, who is being groomed as the new Kate Molleson — and if you think one Molleson is one too many, you stand in excellent company. She has presented documentaries for. Related Content. Anoushka Shankar learned the good old way. However, I’m reserving my greatest excitement for Sound Within Sound: Opening Our Ears to the Twentieth Century (Faber, July), in which Kate Molleson, the Radio 3 presenter, will tell the story. She has presented documentaries for. This entry was posted in Live Reviews on March 24, 2014 by Kate Molleson. Kate Molleson, A radical new book by journalist, critic and BBC Radio 3 broadcaster Kate Molleson, which fundamentally changes the way we think about classical music and the musicians who made it on a global scale. This entry was posted in CD Reviews on August 6, 2017 by Kate Molleson. Engaged in all styles of music, she was. Scottish traditional music should arguably be enlightened in this respect, given grass-roots socialism and everyman/woman equality were essential values of the urban folk revival of the 1960s. . First published in The Herald on 21 March, 2018. Kate Molleson has written a fine obituary of Helen Macleod, 'one of Scotland’s finest harp players', who was killed on the roads at a terribly young age. Kate Molleson is joined by a panel of guests and live musicians to begin Radio 3's International Women's Day celebrations. “I write this book out of love and anger. Show more. Sound Within Sound: Opening Our Ears to the Twentieth Century 05-Jul-2022. She presents BBC Radio 3’s New Music Show and Music. Available now. Available. Danielle de Niese is doing at least five things at once. Engaged in all styles of music, she was. 80 years of broadcasting history, one esteemed presenter for the past 25… Nae pressure!! First stops: Ligeti, Scarlatti, Tailleferre 💥”Kate Molleson Fri 28 Aug 2015 07. Kate Molleson. On meeting Emahoy Tsegué-Maryam Guèbrou. Kate Molleson travels to Cairo to discover a lost aural music tradition of microtonal finesse, potently emotional voices and spectacularly skilful instrumentalists. There are no concerns at all about your wonderfully clear presenting style. £18. . Take the Dublin four-piece Lynched: beatnik,. “Hers were some of the most extraordinary 99 years ever lived on this earth,” Kate Molleson,. Kate Molleson is a BBC Radio 3 broadcaster and journalist who has taught music journalism at Darmstadt and Dartington. Kate Molleson visits Greenland, the world’s largest island, to explore the role of traditional and new music for its communities today. First published in the Guardian on 14 September, 2013. From 2010-2017 she was a music. First published in the Guardian on 17 April, 2017. - Volume 76 Issue 302 A groundbreaking music history book from BBC Radio 3 broadcaster Kate Molleson, which fundamentally changes the way we think about classical music and the musicians who made it on a global scale. Kate Molleson visits Greenland, the world’s largest island, to explore the role of traditional and new music for its communities today. First published in the Guardian on 4 June, 2015. August 18, 2022 11:37pm. 2014 by Kate Molleson. 12:00. 00 EST Last modified on Tue 18 Apr 2017 11. Profiling a dozen pioneering twentieth. 44. M aybe it’s perverse to pair Ilan Volkov with a totem of the Romantic canon such as Tchaikovsky’s Manfred. For nearly three decades Emahoy has lived in a monastery in. At the age of seven, she became enthralled by a banjo-harp duo she saw busking at a market. . Béla Bartók's The Miraculous Mandarin in Building a Library with Kate Molleson and Andrew McGregor. First published by Sounds Like Now, September 2017 edition. Kate Molleson tells. The international sweep of her book is especially compelling when she is travelling: when she is in “dusty, nervy, loud” Jerusalem to meet the 93-year-old bed-bound Ethiopian pianist and former. Time: 5. Despite these setbacks, she continued to compose and would teach music almost to the very end of her life. A mong all the dauntingly good young string quartets currently doing the rounds,. Emahoy Tsegué-Maryam Guèbrou, pictured aged 23. Donizetti’s Scottish opera recorded at Munich’s Philharmonie Gasteig with tenor Joseph Calleja as Edgardo and baritone Ludovic Tézier as Enrico. 50 EDT First published on Tue 21 May 2019 11. Kate Molleson: 27 classical concerts not to miss. Radiocarbon dating of unaccompanied skeletons discovered during the excavation of an Iron Age, Roman and Saxon settlement at Yarnton, Oxfordshire, unexpectedly revealed the presence of a middle Iron Age cemetery (3rd or 4th century cal BC). Here is a quick description and cover image of book Sound Within Sound: Radical Composers of the Twentieth Century written by Kate Molleson which was published in 2022-7-7. Where multiple teeth were observed, the average age estimated from all available teeth was utilized. comKate Molleson on LinkedIn Jun 24, 2018, 1:31 AM + Show All Citations About Terms Your CA Privacy Rights Kate Molleson is a music journalist and broadcaster who writes for The Guardian (UK), The Herald (Scotland) and publications including Opera and Gramophone. Available now. A minimum of one tooth was observed in each individual. First published in The Herald on 11 February, 2015 You could be forgiven for getting the wrong impression of Amy Dickson. Kate Molleson. First published in the Guardian on 14 August, 2016. First published in BBC Music Magazine, January 2019 George Benjamin began writing his first opera at the age of 12. Show more. What to do with Bluebeard’s Castle? Bartok’s single-act opera is so devastatingly complete, so ravaging in musical and emotional impact that it needs nothing more or less. First published in the Guardian on 25 October, 2016. January 27, 2022. Monday 22 May marks Kate Molleson’s debut in the Composer of the Week presenting seat, as she joins Donald Macleod to introduce 10 series of the programme in 2023. First published in the Guardian on 18 September, 2017. First published in the Guardian on 9 May, 2016. The Blind Astronomer. A radical new book by journalist, critic and BBC Radio 3 broadcaster Kate Molleson, which fundamentally changes the way we think about classical music and the musicians who made it on a global scale. Her documentaries (BBC Radio 4, BBC World Service) include a portrait of Ethiopian pianist/composer Emahoy Tsegué-Maryam. Kate Molleson and Kevin Le Gendre dive into the lives and music of John & Alice Coltrane. They say the way to deal with nerves is straight-up. H. Today - Alice finds her musical and spiritual home. This survey of ten composers, all basically at one or another extreme of twentieth century music composition, is highly readable. The World's Largest Island. The Honky Tonk Nun. Freed from state intervention, he was to remain artistically and personally independent from any particular orthodoxies for the rest of his life. 43 EST Last modified on Thu 26 Mar 2020 08. ‘Wonderful . I meet the dancer, choreographer and former artistic director of Scottish Ballet not at the dance company’s Southside HQ but across the river at the rehearsal studios of Scottish Opera, where he’s. His voice is laconic, as though the statement is too obvious to even bother. The progression of dental attrition stages used for age assessment @article{Molleson1990ThePO, title={The progression of dental attrition stages used for age assessment}, author={Theya Ivitsky Molleson and P Cohen}, journal={Journal of Archaeological Science}, year={1990}, volume={17}, pages={363-371} } T. Date: Thursday 9 March 2023. 2013 by Kate Molleson. 2018 by Kate Molleson. Show more. Kate Molleson is joined by Kadiatu Kanneh-Mason, Leah Broad, Anna Clyne and Hilary Hahn for a special live IWD edition of Music Matters. A radical new book by journalist, critic and BBC Radio 3 broadcaster Kate Molleson, which fundamentally changes the way we think about classical music and the musicians who made it on a global scale. First published in The Herald on 13 December, 2017. ‘She raced a horse and trap around the city’. For many years he dressed in orange jumpers, then latterly all in white. However, I’m reserving my greatest excitement for Sound Within Sound: Opening Our Ears to the Twentieth Century (Faber, July), in which Kate Molleson, the Radio 3 presenter, will tell the story. Puerto Rican astrophysicist Wanda Diaz-Merced is revolutionising space science through sound, enabling exploration of the cosmos by ear. First published in the Guardian on 24 March, 2016. Choose from Same Day Delivery, Drive Up or Order Pickup. , 2010) dentition. First published in The Herald on 12 February, 2014. Home. 38. Continue reading → This entry was posted in Features on September 4, 2013 by Kate Molleson . Kate Molleson and Tom Service present exclusive recordings, new releases, composer interviews and features. 4. Review: L’amico Fritz. First published by Sinfini on 11 August, 2014. “Gentle” isn’t an. Kate Molleson is a journalist and broadcaster, and one of the UK's leading commentators on contemporary classical music. comKate Molleson on LinkedIn Jun 24, 2018, 1:31 AM + Show All Citations About Terms Your CA Privacy Rights Kate Molleson. 26 EST. 26 Jan 2023. Kate Molleson explores Vaughan Williams’s burgeoning friendships with Gustav Holst and Adeline Fisher, who became his first wife, and the first Christmases they spent together. You can guess how much my bandmates loved that. Content from our. Emahoy Tsegué Maryam Guèbrou, aged 23. Sat 9 Dec. Quotas should be introduced to broaden the range of classical music composers featured in. Affable and athletic, ever boyish in his handsome looks and ever down-to. Explore more on these topics Classical musicKate Molleson with the stories that matter, the people that matter, the music that matters. Abrams. Interview: Diana Burrell. First published in the Guardian on 14 January, 2016. First published in The Big Issue, 23-30 March. This week Kate Molleson focusses on Northern Ireland. She presents BBC Radio 3’s New Music Show and Music Matters, and her articles have been published in the Guardian, New Statesman, Prospect, The Herald, BBC Music Magazine and elsewhere. A radical new book by journalist, critic and BBC Radio 3 broadcaster Kate Molleson, which fundamentally changes the way we think about classical music and the musicians who made it on a global scale. His second effort, L’amico Fritz, is as pastel and sweet as Cav is blood. Approximate run time: 1 hour 30 mins. Innovators widening our musical horizons. . Here is a quick description and cover image of book Sound Within Sound: Radical Composers of the Twentieth Century written by Kate Molleson which was published in 2022-7-7. On the day we’re due to speak she has six hours of train travel on various branch lines: she lives in Brecon, a village in the Welsh hills whose charms don’t include speedy access. First published in the Guardian on 30 March, 2017. 29 EDT Last modified on Thu 26 Mar 2020 08. Show more Kate. 44 minutes. Post navigationAn album devoted to the golden age of bel canto Lucia di Lammermoor (Erato, 2014). The latest tweets from @KateMollesonKate Molleson is a journalist and broadcaster and one of the UK’s leading commentators on contemporary classical music. Composer of the Week. 1,398 followers. Each week, Tom and Kate will showcase recordings. 2019 by Kate Molleson. One of my favourite Tippett quotes relates the artists of today — his day, our day — to an age-old tradition that, he said, “goes back into prehistory and will go forward into the unknown future. Best recordings of 2018. This is the impassioned and exhilarating story of the composers who dared to challenge the conventional world of classical music in the twentieth. Students worshipped him. First published in The Herald on 26 August, 2013. Retaining the same timeslot on Saturday evenings, New Music Show will feature a regular new presenting line-up of Tom Service and Kate Molleson. Hearing the mighty voices of Ferrier and Wunderlich from our familiar streets, the grandeur of Norman, the great flourish of Bolet, the dignity of Anda and Haskil – all this has been a reminder of the clout and dogged creative ambition on which the festival built its legacy. Catalog; For You; The Critic. She has worked a multitude of positions in these fields, and has been able to build her experience globally while working in a large. Kate Molleson is a Radio 3 presenter and music journalist. Post navigationKate Molleson: 'Where we are at now is tokenism without thinking of the. Faber acquires new landmark alternative history of twentieth-century music by Kate Molleson. He's the voice of Radio 3's The Listening Service and frequently presents the new music show Hear and Now, the BBC Proms. First published in The Herald on 18 February, 2015. Kate Molleson. ”. The Shetland folk musician is arguing the case for a rougher kind of energy: “you should be firing out the lines at this point,” he urges a quintet of opera singers, who seem more immediately. . She recounts fascinating life stories, gives overviews of their works, and undertakes interviews where. Expect a loose take on the term ‘classical’, and no rankings: how to score Bartok against Beethoven against Eliane. Rapt, intensely subtle, exquisitely slow, the music of Eliane Radigue was the heart and soul of this year’s Tectonics. 99. Sam Lee & friends. Big Issue column 31. She has presented documentaries for BBC4 and BBC World Service, and she teaches music journalism at. Kate Molleson travels to Cairo to discover a lost aural music tradition of microtonal finesse, potently emotional voices and spectacularly skilful instrumentalists. BBC Radio 3’s exclusive radio broadcast of the pre-service and service ceremonies, culminating in King Charles III receiving the Honours of Scotland, is presented by Kate Molleson. 'Wonderful . Abel talks about the "swirling cultures" from which he takes his inspiration, whether it's the different church traditions in South A…A flavour of Tectonics, with Kate Molleson. Soprano Isobel Buchanan is wagging a finger at me intently from across the kitchen table. Sound Within Sound: Opening Our Ears to the Twentieth Century (Hardback) Kate Molleson. The second contains Mahler’s Ninth Symphony; the first features one of Bernstein’s best works, his Second Symphony, ‘The Age of Anxiety’, based on W. Kate Molleson is a music journalist who regularly presents BBC Radio 3 programmes including Breakfast, Music Matters and Afternoon Concert. She says she’s taking stock, trying out new things. The station presents the Top 100 pieces from the century throughout the course of the year which will be led by presenters Kate Molleson, Kate Romano and Gillian Moore. By Kate Molleson. Kate Molleson's romp through a selection of 20th century composers doesn't tell you about the usual suspects, but finds people from all corners of the world, women and men, ploughing their own furrow. He started making prototypes in 1915 but the instrument was officially born in 1928: a wonder of early electronics whose intangible, eerie-sweet voice captured the imagination of the age. Asked once whether she had any advice for. Classical music; Radio 3; BBC; Kate Molleson with the stories that matter, the people that matter, the music that matters. Interview: Fred Frith. Big Issue column 32. Mark’s interest in music began at the age of 8 when he became a choirboy and he has since sung in choirs all his life. The number of biographies and autobiographies of artists is colossal, but what makes Sound within Sound unique is the largely unknown contributions of the ten twentieth-century artists Kate Molleson has featured. Kate Molleson is a Radio 3 presenter and music journalist. Because since founding the John Wilson Orchestra in 1994, his dedication to the music of Hollywood’s golden age has achieved a two-way thing: on the one side he has enticed fans of light music into the concert hall. . In his early years as artistic director of the Huddersfield Contemporary Music Festival,. First published in the Guardian on 14 August, 2015. Publisher: Harry N. Kate Molleson is a music journalist who regularly presents BBC Radio 3 programmes including Breakfast, Music Matters and Afternoon Concert. Brad Mehldau, François-Xavier Roth. Home. Kate Molleson visits the world’s largest island to explore the role of traditional and new music for its communities today. I was in Jerusalem to make a documentary about Emahoy. At age 6, Sister Guèbrou was sent to a boarding school in. Festival Folk 2015: Malcolm Martineau Malcolm Martineau is the world’s most rock-steady pianist, a flawless scene setter in song recitals, a perfect gentleman at the keyboard. Who can say for sure. Fiona Maddocks Tim Ashley George Hall Martin Kettle, Andrew Clements Kate Molleson Tue 9 Sep 2014 10. Schumann’s Violin Concerto has a rough past. | Tempo | Cambridge Core. 76 ratings10 reviews. Ashley Page is back in Glasgow, though in a new part of town. A radical new book by journalist, critic and BBC Radio 3 broadcaster Kate Molleson, which fundamentally changes the way we think about classical music and the musicians who made it on a global scale. Kate Molleson presents classical music on BBC Radio 3 Kate Molleson/Twitter. 24 EST T his production is a joy to watch: an enchanting, big-hearted, supremely lovable piece of whimsical animation. Kate Molleson Wed 17 Feb 2016 08. Kate Molleson. Music. Explore more on these topics. It wasn’t as new-age as it might sound. Kate Molleson is a journalist and broadcaster, and one of the UK's leading commentators on contemporary classical music. First published in The Herald on 3 June, 2015. Her articles. Faber, 2022, 314 pp. Home. St John Passion Les Musiciens du Louvre/Minkowski (Erato) Conductor Marc Minkowski describes Bach’s John Passion as “the most violent, vivid and dramatic score” of the early 18th century, so it’s not surprising that violence and drama is what we get from his excellent Grenoble-based period band. Show more. Kate Molleson. Review: Tectonics 2016. 15 - 18. Thu 14 Jul 2016 10. A radical new book by journalist, critic and BBC Radio 3 broadcaster Kate Molleson, which fundamentally changes the way we think about classical music and the musicians who made it on a global scale. Kate Molleson presents Radio 3’s New Music Show and Music Matters. Her new book demonstrates that she is equally at ease with the written word. Escaping the news on the Today programme recently, like many others, I switched over to Radio 3. 12:00. “I think it’s really tragic when people get serious about stuff,†he quipped back in the 1970s – the. 99 £18. Approximate run time: 1 hour 30 mins. This entry was posted in Live Reviews on August 15, 2015 by Kate Molleson. There are no concerns at all about your wonderfully clear presenting style.